Tune Up lead sheet

This helps us to visualise the essential components of the harmony (3rds & 7ths) and how the 3rds and 7ths move in the 251 progression. Thanks!We can always add the 5th to our voicinigs. Then move onto Tenderly Part 2.In Tenderly Part 2, we also look at some more advanced voicings… in particular upper structure triads. Ask questions and get instant replies from our team of teachers. This is all part of the creative freedom we have as jazz musicians. Remember variety is key and you want to create a selection of sounds and textures in your arrangements. Variety is the key.Jazz musicians often abbreviate chords to just ‘7’, eg. In bar 9, the melody then changes to a different phrase, whereas, on the 1st and 2nd lines the melody was identical, but a whole step down. So whilst it doesn’t add anything to the harmony, it can be useful to create more weight and impact. A nice voicing for the D Major would be:I would recommend that you start on another tune like Tenderly, but remember you can always revisit the tunes that you have learned previously. If you play the same voicings over and over again, your playing can sound predictable.If I had to give you reasons why I added the 9th over the C Major:1) C Major is a ‘white key’ ie. Ask questions and get instant replies from our team of teachers. Transpose, print or convert, download Jazz PDF and learn to play Real Book - Melody & Chords - Bass Clef Instruments score in minutes. We explore voicings for each note of the dorian mode. Try talking to yourself out loud if you don’t have anyone to talk with. Initially we don’t understand, but at least we are exposing ourselves to the theory. I have a question: How do you know what kind of extension you can play based on the chord listed on lead sheets? Hi Hayden, What is the recommended order for all of your beginner lessons?I have copied the 2 beginner courses for you below. You can do this on any tune when you want to finish… just do a complete 251 in the key of the tune (This tune is written in D Major)For example play E-7, A7 and then Dmaj9. Don’t worry if something in the lesson does not make sense. It’s slightly harder to do this in D Major, because you are playing a mixture of black and white keys. Is it all what sounds good to the ear or is there a mathematical kind of relationship to what you can play based on what is listed in the lead sheet? How To Read Lead Sheets Tutorial. I have not been aware of anything but I will look into this for you. When playing jazz, variety is key. Ask questions and get instant replies from our team of teachers. If you find something confusing, the article is very clearly expressed with an economy of words. Is the melody simply left out sometimes? Variety is the key. We look at them in detail in the upcoming course on chord extensions: pianogroove.com/jazz-piano-lessons/extended-chords-voicings/ and in particular, in this lesson we look at how the 9th becomes the 13th in a 25 progression pianogroove.com/jazz-piano-lessons/the-major-251-9th-13th-chord-drill/And yes, the purpose of the lesson was to build and arrangement using 3rds and 7ths, but I also wanted to add in a few examples of extended and altered harmony to pique the interest of the students and give you a taste of what is coming next in the PianoGroove syllabus.If it doesn’t make sense right now, don’t worry about it, just copy what is being played and it will all make sense with time.Check out this lesson for more information on that exact relationship: pianogroove.com/jazz-piano-lessons/the-major-251-9th-13th-chord-drill/I did gradually layer in some more complex voicings in this lesson. The new website has all lessons organised into courses like this and it will give students a clear series of progression through the material.It should be finished in 24-48 hours… I will know more later today once I have spoken with the tech guys.Hope this helps, the new site also gives you guidance on how to practice each lesson.Here is an important point that you need to understand with regards to chord extensions:If the chord is G-7, as a jazz arranger, you need to decide how to play a G-7 to produce a nice sophisticated jazzy sound.You need to understand that with any chord, you have the creative freedom to choose what notes to include, your options for minor chords are root, 3rd, 5th, 7th, 9th, 11th & 13th (if you add another 3rd on top of the 13 you are back to the root so 13 is the highest extension)Generally speaking, the higher the extension you include, the richer and ‘more complex’ the sound will be.

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